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830325s1984 xu erb 001 0 eng d |
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|a 0809311437
|q (hbk.)
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| 040 |
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|a GrAtEKP.aggliki
|b gre
|e AACR2
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| 082 |
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|2 22
|a 812.52
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| 100 |
1 |
0 |
|a OʹNeill, Eugene,
|d 1888-1953
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| 245 |
1 |
0 |
|a Eugene OʹNeillʹs critics :
|b voices from abroad /
|c edited by Horst Frenz and Susan Tuck
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| 260 |
1 |
0 |
|a Carbondale:
|b Southern Illinois University Press,
|c c1984
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| 300 |
1 |
0 |
|a xx, 225 p. :
|b ill. ;
|c 24 cm.
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| 500 |
1 |
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|a Consists of 30 essays from 17 countries, translated into English
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| 504 |
1 |
0 |
|a Includes bibliography (p. [185]-218) and index
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| 505 |
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|a Hugo Von Hofmannsthal (Austria): Dramaturgical Reflections (1923) - The Beggar and The Hairy Ape (1923)
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| 505 |
0 |
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|a Lennox Robinson (Ireland): Beyond the Horizon Versus Gold (1924)
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| 505 |
0 |
0 |
|a Frank Tetauer (Czechoslovakia): Raw, Brutal Visions (1925) - The Tragic Wandering of a Great Dramatist (1954)
|
| 505 |
0 |
0 |
|a Richard Jennings (England): Dramatist of Monomania (1925)
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| 505 |
0 |
0 |
|a Erik Reger (Germany): The Georg Kaiser of America (1929)
|
| 505 |
0 |
0 |
|a Alexander Tairov (USSR): Negr: Directorʹs Notes (1930) - The Creative Work of Eugene OʹNeill (1933-34)
|
| 505 |
0 |
0 |
|a Sean OʹCasey (Ireland): Three Tributes to OʹNeill (1931, 1959, 1960)
|
| 505 |
0 |
0 |
|a Frederik Schyberg (Denmark): American Tragedy of Fate (1933)
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| 505 |
0 |
0 |
|a Doroth Macardle (Ireland): The Dual Nature of Man (1934)
|
| 505 |
0 |
0 |
|a Per Hallstrom (Sweden): Nobel Prize Presnetation (1936)
|
| 505 |
0 |
0 |
|a Maurice Le Breton (France): Eugene OʹNeill and The American Theatre (1939)
|
| 505 |
0 |
0 |
|a Eugenio Montale (Italy): OʹNeill and the Future of the Theatre (1943)
|
| 505 |
0 |
0 |
|a Gabriel Marcel (France): Interpretations by a Philosopher (1947, 1957, 1967)
|
| 505 |
0 |
0 |
|a St. John Ervine (Ireland): Counsels of Despair (1948)
|
| 505 |
0 |
0 |
|a Toshio Kimura (Japan): OʹNeillʹs "Whited Sepulchre"(1955)
|
| 505 |
0 |
0 |
|a Alfonso Sastre (Spain): On the Death of Eugene O"neill (1955)
|
| 505 |
0 |
0 |
|a Leon Mirlas (Argentina): The Scope of OʹNeillʹs Drama (1958)
|
| 505 |
0 |
0 |
|a Kenneth Tynan (England): The Heights and the Depths (1958) - Massive Masterpiece (1958)
|
| 505 |
0 |
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|a Wojciech Natanson (Poland); OʹNeillʹs Comeback (1961)
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| 505 |
0 |
0 |
|a B. Nagy Laszlo (Hungary): The OʹNeill Legend (1962)
|
| 505 |
0 |
0 |
|a Oscar Fritz Schuh (Germany): OʹNeillʹs Dramatic Work: His Image of Humanity (1963)
|
| 505 |
0 |
0 |
|a Rudolf Haas (Germany): A Literary-Historical Assessment of OʹNeill (1968)
|
| 505 |
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|a Alexander Anikst (USSR): Preface to Russian Translations of OʹNeill (1971)
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| 505 |
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|a Catherine Mounier (France): Notes on the 1967 French Production of The Iceman Cometb (1975)
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| 505 |
0 |
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|a An Min Hsia (Republic of China): Cycle of Return: OʹNeill and the Tao (1978)
|
| 505 |
0 |
0 |
|a Timo Tiusanen (Finland): OʹNeill and Wuolijoki: A Counter-Sketch to Electra (1980)
|
| 600 |
0 |
0 |
|a OʹNeill,Eugene,
|d 1888-1953
|x Criticism and interpretation
|
| 700 |
1 |
0 |
|a Frenz, Horst,
|
| 700 |
1 |
0 |
|a Tuck, Susan
|
| 952 |
|
|
|a GrAtEKP
|b 59ccdcc56c5ad134460a8f5d
|c 998a
|d 945l
|e 812.52 ONeE FreH e 1984
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|x m
|z Books
|
| 952 |
|
|
|a GRThAnMak
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