Make believe in film and fiction visual vs. verbal storytelling /
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| Corporate Author: | |
| Format: | Book |
| Language: | English |
| Published: |
New York :
Palgrave Macmillan,
2006.
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| Subjects: | |
| Online Access: | http://site.ebrary.com/lib/ucy/Doc?id=10135693 |
Table of Contents:
- Brutal Beginnings: Imagining Murder/ Watching Murder
- Moving Eyes, Moving Sculptures
- Inside and outside Somebody Else's Fantasy
- Make Believe Is Always a Story
- Single-Handed and Collective Make Believe
- Movies and Hyper-Visual Culture
- La Strada and the Conjecturing Imagination
- Madame Bovary: Linguistic Configurings of Imaginative Corruption
- Rashomon and Wuthering Heights
- Form in Visual Storytelling: Buster Keaton's The General
- Genre and Transforming Sources: High Noon Forenoon
- Seeing and Imagining Ethical Crises: High Noon: Afternoon
- Great Expectations: Insights from the Impossibility of Adaptation
- Magnifying Criminality: Fargo, Film Noir, and A Perfect World
- Innovative Lawfulness: Learning to Read.