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02917nam a2200385 a 4500 |
| 001 |
1216633 |
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20171111232624.0 |
| 008 |
110707s2004 gr erb 001 0 eng d |
| 020 |
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|a 9780754637379
|q (HBK)
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| 020 |
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|a 9780754655749
|q (PBK)
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| 040 |
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|a GrAtEKP.prosxolagwgis
|b gre
|e AACR2
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| 050 |
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|a ML3470
|b .M896 2004
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| 082 |
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0 |
|2 22
|a 781.640 9
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| 100 |
1 |
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|a Whiteley, Sheila,
|d 1941-
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| 245 |
1 |
0 |
|a Music, space and place :
|b popular music and cultural identity ; edited by Sheila Whiteley, Andy Bennett and Stan Hawkins
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| 260 |
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|a Surrey
|b ASHGATE,
|c 2004
|a Burlington:
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| 300 |
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|a 224 p. :
|b ill. ;
|c 23 cm.
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| 490 |
0 |
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|a Ashgate popular and folk music series
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| 504 |
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|a Includes bibliographical references (p. [201]- 213) and index
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| 505 |
0 |
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|a Introduction, Sheila Whiteley - Music, Space and Place, Andy Bennett - Rap and Hip Hop: Community and Cultural Identity, Sheila Whiteley - Musical Production and the Politics of Desire, Stan Hawkins -PART 1. Music, Space and Place (1. The musical construction of the diaspora: the case of reggae and Rastafari, Sarah Daynes - 2. Who is the "other" in the Balkans? Local ethnic music as a different source of identities in Bulgaria, Claire Levy - 3. "Power-geometry" in motion: space, place and gender in the lyra music of Crete, Kevin Dawe - 4. Interrogating the production of sound and place: the Bristol phenomenon, from Lunatic Fringe to worldwide Massive, Peter Webb), PART 2. Rap and Hip Hop: Community and Cultural Identity (5. The emergence of rap Cubano: an historical perspective, Deborah Pacini Hernandez and Reebee Garofalo, 6. Doinʹ damage in my native language: the use of "resistance vernaculars" in hip hop in Europe and Aotearoa/New Zealand, Tony Mitchell - 7. Rappʹ inʹ the Cape: style and memory, power in community, Lee Watkins), PART 3. Musical Production and the Politics of Desire (8. Positioning the producer: gender divisions in creative labour and value, Emma Mayhew - 9. "Believe": vocoders, digital female identity and camp, Kay Dickinson - 10. On performativity and production in Madonnaʹs "Music", Stan Hawkins - 11. ʹHeʹs Got the Power: the politics of production in girl ground music, Jacqueline Warwick.)
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| 650 |
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0 |
|a Popular music
|x Social aspects
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| 650 |
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0 |
|a Rap (Music)
|x Social aspects
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| 650 |
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0 |
|a Popular music
|x History and criticism
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| 650 |
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0 |
|a Popular culture
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| 650 |
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0 |
|a Sound recordings
|x Production and direction
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| 650 |
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0 |
|a Nationalism in music
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| 650 |
|
7 |
|a Λαίκή μουσική, Κοινωνικές απόψεις
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| 650 |
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7 |
|a Ραπ (Μουσική)
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| 650 |
|
7 |
|a Ιστορία και κριτική
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| 650 |
|
7 |
|a Λαίκή κουλτούρα
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| 650 |
|
7 |
|a Εθνικισμός στην μουσική
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| 650 |
|
7 |
|a Ηχογράφηση
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| 700 |
1 |
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|a Bennett, Andy,
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| 700 |
1 |
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|a Hawkins, Stan
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| 952 |
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|a GrAtEKP
|b 59ccf5886c5ad134460d3119
|c 998a
|d 945l
|e 781.640 9 MUS
|t 1
|x m
|z Books
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